Shigematsu discussed the design for the institute, which will be housed in an old community theater-turned-tennis-court in Hudson. The architects used three guiding principles in their planning, the first of which is the idea that everyone and every space should stay connected. So a circuit of rooms devoted to the Abramović Method will ring the main performance space, and wherever a visitor is in the institute, even eating a sandwich in the cafe, she will have a view of that central space. It’s hard not to find this constant ability to watch and be watched a bit creepy, rather than a utopia it even has the makings of some kind of performance-art police state (a feeling bolstered by the cool surrealism of some of the architectural renderings for the project); but it will theoretically help further erase the distinctions between performer, audience member and audience-member-in-training.
http://hyperallergic.com/51149/is-marina-abramovic-trying-to-create-a-performance-art-utopia/
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